Peter Vesti Frendrup

Set in Antarctica this is the largest level in Battlefield 2042.

Set in Qatar, this modern city has been taken over by sand.

Set in Alang, India this map features a graveyard of old ships.

A modern Korean city.

Set in Egypt, this level has a wall separating a desert from a modern green agricultural area.

Set in a rocket launch facility in South Africa.

A huge automated container terminal set in Singapore.

This map depicts the Battle of Geonosis during the Clone Wars. It is designed for Galactic Assault and has the unique feature of having air-dropped AT-TEs in the final phase that also function as the win condition. A lot of focus was put on the ambiance and atmosphere of this epic battle.

This level was specifically designed for the game mode Extraction. It was released alongside the Han Solo movie.

The first level released post launch for Battlefront II to coincide with the release of The Last Jedi.

This was my first level on the Battlefront franchise. It features a relatively unique design for Galactic Assault where one team does not start with the AT-AT. Instead it is captured during the first sector.

The concept for this map was to create a big tank battle in Operations. However I wanted to intertwine infantry areas which is very obvious in Conquest. This was one of four maps in the first DLC for Battlefield 1 called "They Shall Not Pass".

While I was lead for the entire singleplayer campaign, I worked hands-on for the last 3 months of production on this level after the level designer left the company.
This map depicts the ultimate "behind enemy lines" trench experience.

This is the first level of the 'Through Mud and Blood' war story and it features a tank assault in a Mark V tank.

This is a stealth focused mission where the player needs to escort a tank through a foggy forest.

The player must infiltrate and extract spark plugs to get their tank started again. Night time map with heavy focus on stealth.

This final level of the 'Through Mud and Blood' war story focuses on tank vs tank gameplay.

This level is the first in the "Friends in High Places" war story. It primarily serves as an introduction to the flight controls and introduces the two main characters.

This level is an all out attack on an enemy fortress. It involves taking out AA guns, Dogfigting and escorting friendly bombers.

This is the final level of the "Friends in High Places" war story and it's an epic fight against Zeppelin's over the city of London. It also involves a section aboard an enemy Zeppelin.

This is the first level of the "Nothing is Written" war story. It features a stealth setup in the desert and also serves as an introduction to new stealth mechanics.

This level is one of the most open of all the warstory missions. The player must perform various objectives across the entire map but can do it in any order.

This is the final level of the "Nothing is Written" war story. It features the final showdown and a "boss fight" against an armored train.

This level is about reaching a Yak Farm before the enemy and then defending it.

This level takes the player to the highest peaks of the Himalaya's where the air is so thin that oxygen flasks are required to survive.

This level is about infiltrating a mining facility to steal a famous Blood Ruby. It combines stealth infiltration with a classic action-movie guns blazing escape sequence.

This level is the first of three missions in Hurk's Redemption. It takes the player through a glacier in order to locate a hidden Monkey Statue before the enemy.

This level is a part of the main campaign and is known for its epic wing suit section.

In this mission the player is sent out to locate diamonds for Longinus - in the cold Himalaya's. The player has a tracking device to locate the diamonds...

In this level the player must locate a key lieutenant and take him out. I think it's Far Cry 4's longest mission and all of it in one location. A pretty elaborate level.

This was my main level for this project.

I wasn't on this level from the beginning, but took over the last part of it (after the dual zip line) and redesigned it extensively.
The key part is a section where one player covers the other with a UAV drone before they switch.

This level was my first large multiplayer level and has very distinct areas. Looking back at it, I think this map holds up pretty well from a design point of view.

This was one of the first multiplayer levels I designed. Most of the assets are from the singleplayer Solar level, but this level is specifically designed for multiplayer.

This level is a reimagination of the Jungle level from the N64 GoldenEye game. I incorporated pretty much every feature of the original but with a lot added gameplay and spin on them. Extremely pleased with this level.

This was my main level and my main focus was to connect it to the other Dead Space lore, most notably the first game but also the comic.

This is the last level of the game and is a big final action beat of the game. All the different types of enemies in a last-stand type final mission.

This level had a lot of focus on stealth. I worked with out programmers to get distractions working. The first half is a stealth puzzle where the player can utilize these distractions to lure enemies away and deal with them one by one.
The second part of the mission is an all out firefight after Bond gets spotted.

This level was the first one I ever worked on in a professional capacity. It's a pretty elaborate infiltrate mission with a boss fight at the end. The boss fight itself was designed and scripted by a colleague.